I built this business shooting cars in Southwest Florida and posting the results until the phone rang. Two things get asked more than anything else: what I grade with, and how I got clients paying monthly. Both are here.
The exact colour on every frame of my wall. Not a starter set — the working files off my own machine.
Card, Apple Pay or Google Pay. The download opens the second you pay.
Screen shared, nothing held back. Bring your account, your footage, or the quote you are scared to send.
Pay and book in one step. Reschedule any time.
Pick a slot that works for you. You pay when you book, and the calendar invite lands in your inbox straight away.
They are built on Sony S-Log3 and DJI D-Log M, which is what I shoot. They carry over to any log profile with a small exposure tweak — the Masterclass PDF shows exactly what to change. If you shoot straight Rec.709 they will be too strong; start at 50% opacity.
No. The LUTs drop into Resolve, Premiere, Final Cut, CapCut and most phone editors. The PowerGrade is Resolve-only — it is a bonus, not the product.
It is a digital file, so there is no take-backs once it is downloaded. If it genuinely does not work on your footage, text me and I will get it working or refund you. That has not happened yet.
You pick the hour. Most people bring a project they are stuck on or a client they are trying to close. I share my screen, we work on your actual footage, and you keep the recording.
Stripe emails you a proper receipt the moment you book. Bring it to your accountant.
Coaching is for people doing it themselves. If you would rather hand it over, that is the rest of this site.